jpr / news Winter 2004
|
The interface between philanthropy and policy in the United States
Yoav Ben-Horin
reported that, in today's philanthropic climate, an increasing trend among
major donors in America is accountability: the desire to know where their
money is going and how efficiently it is being spent. Philanthropists
have become more assertive, demanding transparency and control. As a consequence,
donations increasingly come with strings attached. This has resulted in
a paradox: on the one hand, American Jewry is more organized and effective
than ever in raising funds, while on the other hand it is less centralized
and less given to accepting authority. This also plays itself out when
it comes to choosing between giving to Jewish or to general charities.
Ben-Horin explained that most American Jewish philanthropic dollars no
longer go to Jewish causes, but to causes such as the San Diego Zoo, or
the Museum of Modern Art. This trend is even more pronounced among the
younger generation, who 'save whales, not Jews', he said. Since the start of the second Intifada, however, there has been a resurgence of concern for the state of Israel, which has the highest rate of child poverty in the western world, with 30 per cent of children living under the poverty line. Israel also has the highest income gap in the western world, together with America. American
Jewry sees itself as a partner with Israel in Zionist nation-building.
While American Jews do not share in the responsibilities of citizenship,
such as paying taxes or serving in the Israeli army, they continue to
feel a deep commitment to its collective welfare. This is shown by their
support of the Jewish Agency's work aiding aliyah and klitah (immigration
and absorption into Israeli society). Because of what they have seen at
home, they are particularly concerned to avoid the creation of a permanent
black underclass in Israel, and so many American Jews choose to support
the long-term integration of Ethiopian Jews. |
Born in Newcastle in 1915, the son of an immigrant from Lithuania, he studied classics and law at Jesus College, Cambridge and served as a major in the Royal Artillery during World War II, after which he was articled to the City law firm of Nicholson, Graham and Jones. He became a very influential force in the media; he sat on the board of the Mirror newspapers, became a director of Associated Television, and served as chairman of the Jewish Chronicle. A long-term member of the Labour Party, he described himself as a 'Gaitskellite socialist' and was married to the Labour Baroness Alma Birk, who died in 1996. He played a very prominent role in Anglo-Jewish life and was actively involved in supporting Israel. Chair of the Jewish Welfare Board in the 1980s, he was a key figure in the birth of Jewish Care, and in the creation of Sinclair House; he was also a governor of the Hebrew University and Chair of its British Friends, and member of the executive of the Council of Christians and Jews. Ellis Birk was involved with the IJA for many years and served as Chairman of its Executive Committee. Ellis fully appreciated the importance of research and took great pride in IJA's academic publications. After his retirement, he continued to support the Institute in its new role as an international Jewish think-tank. |
|
Jews and Jewry in contemporary Hungary On the 60th anniversary of the Holocaust in Hungary JPR published Jews and Jewry in Contemporary Hungary: results of a sociological survey*. This report, edited by Professor András Kovács of the Central European University, discusses the results of a sample survey of over 2000 Hungarian Jewry, conducted by the Institute for Minority Studies at Loránd Eötvös University in Budapest, on which JPR's Barry Kosmin acted as an adviser. It examines a wide variety of demographic, social and cultural issues, including Jewish identity and practices among the respondents, as well as their ideological, social and economic attitudes.
The research estimated that somewhere around 80-150,000 Hungarians (between 0.8 and 1.5 percent of Hungary's present-day population) are the offspring of at least one Jewish parent. It also showed that the average age of the Jews in Hungary is high in comparison with the general population. Two reasons for this are related to the Holocaust: the small size of the generation born prior to 1944 and emigration after 1945. This is coupled with the fact that, on average, Jews live longer than the general population. Due to the age composition of the Jewish population and a relatively low birth rate, which reflects the general trend in Hungary, the size of the Hungarian Jewish population is likely to continue to decline. A century
ago, more than 15 per cent of Hungary's Jewish population lived in Budapest
and Jews comprised more than 20 per cent of the city's total population.
Today however, because almost all of Hungary's Jewish population outside
the capital were murdered, whereas most Jews in Budapest survived, 90
per cent of Hungary's Jews reside in Budapest but they now account for
only about 5 per cent of its population. Relatively large numbers of Jews
reside in high-status neighborhoods, reflecting the economic and social
status of the group. Hungarian Jews are highly educated, with 45 per cent
holding university or college degrees, much higher than the corresponding
figure for the general population of Budapest. Approximately three-quarters
of the Jewish population are from homogeneous families, having four Jewish
grandparents. However, the picture becomes more differentiated by age:
whereas 84 percent of those aged 56 or over have homogenous family backgrounds,
this ratio falls to just 40 per cent amongst the under-35s. Underlying
this trend is the dramatic increase in outmarriage since World War II,
though the rate stabilized at approximately 50 per cent from the mid-1950s.
Almost two-thirds of respondents feel that antisemitism has increased recently, and a third fear that this trend will continue, although perceived antisemitism does not mean discrimination or violence. The fear stems from the appearance of traditional and new antisemitic views in the media and public political discourse, which may now be openly expressed, due to the adoption of the right to free speech. Most Jews would like to see this situation changed. A majority of Hungarian Jews hold western-style liberal views, believing in the capitalist market economy; they also support liberal views on social issues such as abortion and refugees. At the same time, there are also two 'conservative-minded' groups among Jews, one of them a product of the Communist regime in Hungary, which is anti-capitalist and leftist, and the furthest removed from Jewish tradition and Jewish identity. The other conservative group is religious Jews. |
|
Passion
and counter passion: a response to Mel Gibson by Christians and Jews in
a time of darkness
Why can't we forget Mel Gibson's The Passion of the Christ? It marked a moment when religious dialogue failed and when pain overflowed in our hearts. Suddenly, we became aware of the darkness in our world. I agree with Elie Wiesel, who expressed his unease concerning the film. He did not view it as wildly antisemitic, nor did he assume that new waves of attacks against Jews would arise from its showing. However, he felt that, at a time when Christians and Jews were coming closer to one another in a new and significant way, it could help cause a breach in this dialogue and slow down the process of interfaith in our society. In a society where new uncertainties plague all adherents of religion, there is a retreat to mysticism and mystification. One hides within the dark chambers of religious faith. Cults are re-emerging. Terrorism breeds in a climate of fear and reason is pushed back to the outer limits of the world. Gibson's film celebrates pain and terror and many prefer this to calm, ethical instruction. It is much easier to be threatened by religion than to be pacified by it. Gibson arises out of a society marked by sadism and masochism. When the Pope said of the film: That's how it was, he was not making a historical judgement (where he shows flaws. He recently found good points in the Inquisition, and thought Torquemada was a decent chap.) On The Passion he made a theological judgement about the ultimate sacrifice of God's son, a Jew who became the suffering, tortured, dying and resurrected Christ of Christianity. In our dark time after Auschwitz when all Israel was crucified, this reaches out to us. Christians and Jews share this grief and pain. Mel Gibson howls aloud in the film to express the anguish of the sacrifice of Golgotha. Christians,
and not only the fanatic right-wing of the church, have responded to the
film with great fervour. There has been a re-awakening within Christianity.
The fact that Gibson's profits have gone over $100 million should not
prejudice us against him. It is 'the American way' and he is rooted in
that culture - in some ways a primitive culture. Four years ago Newsweek
found that 75 per cent of Americans believe in the devil; 48 per cent
stated: I have experienced a miracle. Well, so has Gibson! A new
passion and a new fear A living religion must concern itself with the anguish of a suffering humanity in which we can discern the suffering of God. The wounds of our age are the wounds of Christ, and how a priest can turn away from the opportunity to give comfort to the pain of Kosovo or 9/11 and instead hide inside a flawed film beggars belief. Judaism, too, has discovered that the Suffering God, the Shechina which followed Israel into exile after the destruction of Jerusalem and the Temple is also the God who was hanged in Auschwitz and murdered in Serbia. The fanatic Jew who does not recognize that the Divine Image suffers with the death of every child on the streets of Gaza as well as with the destruction of an Israeli school bus in Jerusalem has turned away from God and lives with a heart of stone. In the Middle Ages, the Passion Plays became the commentaries composed for the common man. More often than not they came to obscure the original text. It has been suggested that Gibson's film is more of a passion play than an exposition of the Gospels. The Passion Plays carried the antisemitism of their own time within themselves; and that has infected Gibson. Most observers agree that Gibson himself is not an antisemite like his father. However, the film continues the unrelenting line of anti-Judaism which began with the young Church once it found itself outside the Jewish community. The fact remains that Christianity built itself upon the Hebrew Bible which it called the Old Testament. The New Testament could not supersede it; therefore the Jews had to be removed from the Old Testament in so far as they had been deemed the inheritors, God's first love. The Church tried to disinherit the Jews. We come back to the Christian passion here: not the Passion of the Cross but of the devout, fanatical lover of Christ and God who cannot admit a previous love affair. The fanatic - and Gibson belongs to a cult of the extreme right-wing Evangelical Catholics who accept neither Vatican II nor the Pope - claim God as their possession and do not see that humanity and all of us are possessions of God. It is easy to prove that Gibson's Passion of Christ is a total distortion of the history of that time; most Catholic, Jewish and secular scholars are agreed on this. Gibson is recreating a theological drama in which the villain must be the Jew of that time, even if he does not connect him with the Jew of today. At that moment, Gibson loses the basic teaching of love within Christianity. The possessive passion of the fanatic excludes the rest of humanity from this relationship. Ultimately, Christianity is more damaged by the film than Judaism. Yet the pain inflicted upon the Jewish community is very real and the passion of the Jew and the love of a people striving to rebuild life after the Shoah must be recognized. In an uncertain world, with Jewish life endangered, one has to recognize and honour even our intemperate response and our fear. Unabated
suffering without hope How could
such a film convert others to Christianity? The Passion of the Christ can open a dialogue between the Passion and Suffering of Christianity and the Passion of Judaism. Our dialogue should not be damaged by misdirected passions. But reason must always accompany passion. Sadly, the dialogue between scholars and clergy of our traditions does not reach the mass media. Gibson's Passion of the Christ will continue to inflame the emotions of those who want some reinforcement of their sense of innocence when they see a world in flames and demand absolution from a church which has failed them in their quest. The film did not bring a flood of converts to the Church. Thousands of free tickets to non-believers proved a less than profitable investment. But films come and go. Rational discourse still endures, and even religious dialogue will be informed by it. If we meet in that area, instructed by true scholarship and by the compassion which reaches out to our neighbour, we will both be strengthened. |
|
Filling
the void: Jewish culture without the Jews
Faynia Williams, an international theatre and opera director and BBC drama producer, wrote and presented the BBC Radio 4 documentary Filling the Void. She is on the Council of the Directors' Guild and a Fellow of the Royal Society of Arts. Jonathan Webber is a social anthropologist and UNESCO Professor of Jewish and Interfaith Studies at the University of Birmingham. He has carried out extensive field research in Poland. His book Traces of Memory: the Ruins of Jewish Civilization in Polish Galicia is to be published in collaboration with the photographer Chris Schwarz. Lena Stanley-Clamp placed the discussion in its historical context, noting that the history of Jews in Poland went back 700 years. Until 1939 there were 3.5 million Jews in Poland. Nearly 90 per cent of the Polish Jewish population was killed by the Nazis. After the war, successive emigration waves of the remnants of Polish Jewry culminated in 1968, when 20,000 Jews left the country because of Government-sponsored antisemitism. Today the Jewish population in Poland is estimated at 10,000. However, since the 80s there has been a revival of interest in Jewish culture - a veritable renaissance of Jewish culture in Poland, even if it is almost a 'Jewish culture without the Jews'. Among young Polish Jews there has been a process of 'reverse acculturation': from assimilation and ignorance of Jewish tradition to a revival of Jewish religion, educational and cultural activities. At the same time there has been an equally remarkable resurgence of interest in Jewish culture and heritage among the non-Jewish public. Significant numbers of non-Jewish Poles feel compelled to rediscover Jewish culture. Faynia Williams introduced the film Musicians' Raft, which depicts the work of the Borderland Foundation and Centre. It was established by Krzysztof and Malgorzata Czyzewski in 1990 in Sejny, a former shtetl where before 1939, Jews made up nearly 90 per cent of the population. It is now a town of 6,000 inhabitants in north-eastern Poland near the border with Lithuania. No Jews live in Sejny now. In one day, an entire community, culture and society were eradicated. The mission of the Borderland Foundation was to reclaim the town's Jewish heritage, to restore the Jewish buildings and cemetery and to set up a publishing house. The Borderland Foundation painstakingly restored the old synagogue, which had been used at various times since the war as a stable, garage for fire trucks and headquarters of a fertilizer company, and the yeshiva, which had been used as a Post Office. It is now a cultural centre which runs a gallery, a klezmer band and theatre workshops. Among its educational activities are the Sejny Chronicles, which aim to interest young people in the history of their town and to encourage them to talk to their parents and grandparents. The young people of Sejny learn about who had lived there in the past, how they lived there and how they disappeared. The Foundation also invites American klezmer musicians to Sejny to teach local young musicians their art, which is the subject of the Musicians' Raft. Faynia expressed the view that the work of the Borderland Foundation was one way for Poland to come to terms with its past and to prepare for its new future within the EU. Jonathan Webber warned against the danger of over-sentimentalizing; nor should we believe the old chestnut that Poles are endemically antisemitic. In the sixteenth century, for example, Polish Jews thrived and lived in peace with their neighbours.Moreover, 5,800 Poles are acknowledged today in Yad Vashem as Righteous Gentiles (out of a total of 20,205). Faynia pointed out that the Borderland Foundation is not afraid to address the painful aspects of Polish Jewish history. It was they who first published Jan Gross' book Neighbours about the Jedwabne massacre. Jonathan warned that the history of Polish-Jewish relations is a complex one, full of pitfalls for the unwary. Many Jews feel a strong sense that in a country which witnessed the flowering of Jewish civilization over so many centuries, there is still a certain spirit of the place which continues to live on in Poland. Even the smallest shtetls once possessed a highly varied Jewish cultural life, with libraries, drama societies, sports clubs and schools, as well as being centres of hasidism and traditional Jewish learning. Little wonder, then, that some Poles today sense the void and want to reach out to that vanished past. Many schools sponsor art competitions on the theme of the Jewish past, with prize-winning submissions being displayed in national museums. Cracow hosts an annual festival of Jewish culture, organized by non-Jewish Poles, with a packed programme of concerts, lectures, walking tours, art exhibitions and seminars. Sejny is thus part of a much wider phenomenon in present-day Poland. It deserves due acknowledgement, indeed admiration, for the courage to confront a difficult history. In her conclusion, Lena Stanley-Clamp said the Borderland team understood and put into practice the wisdom that comes from the co-existence of different cultures and beliefs. In 'filling the void', they are reclaiming their own history which had been suppressed for so long during the Communist regime. |
|
A social and historical context for genetics in the Jewish population The following article is taken from a lecture given by JPR's Director of Research, Professor Stanley Waterman, at the Genetic Screening Conference at Guy's Hospital, London, in June 2004. Jews are a relatively well educated population and are more than averagely aware of issues surrounding genetic disorders that pertain to them-so much so that they are more willing than the general population to co-operate with medical researchers. Consequently, there is more genetic information on Ashkenazi Jews than on other biological populations of similar size throughout the world. Around 1650, there were about 250,000 Ashkenazi Jews in total in the world. In 1780, there were about 1.5 million Jews living in the Habsburg and Tzarist empires, rising to about 8 million a century later. By 1939, there were an estimated 15 million Ashkenazim. During these centuries in the geographical area from the Baltic States to the Ukraine, with the annual rate of population increase among the Jews at over 3 per cent, a higher rate than among the industrializing countries, there was a population explosion from a small gene pool with practically no external inputs (biological mixing with outsiders). It was a unique period and event in Jewish history, a type of rapid demographic growth matched by very few other groups; the French Canadians-who incidentally have high incidence rates of Tay-Sachs-are another, perhaps. Historically,
Jews in Western Europe were spatially confined by the ghetto, as in the
Frankfurt Judengasse, leading not only to acute housing shortages but
to late marriage and even to non-marriage. In contrast, in Eastern Europe-and
this is the provenance of most British Jews-spatial restrictions were
lacking in a rural environment over a wide geographical extent: Jews had
to reside within the Pale of Settlement, yet they migrated ever eastwards
into small villages (shtetls). They married young, at 17 or 18,
were in generally good health, and had low infant mortality and low rates
of alcoholism. Jews and
genetics But to do this by establishing geneticdatabanks exposes the population data to potential misuse or abuse. What if insurance companies were to charge Ashkenazi Jews or Jews in general or any other group seen as a bad risk surcharges for life insurance? They might reject insurance applications on the pretext of known risks associated with the population, or worse, with certain individuals in the population on the basis of genetic screening that had been carried out-at the request of the individuals themselves. Confidence
in confidentiality? Genetic screening is inexorably linked to genetic research and like all research, one cannot always tell where it might lead. Recent genetic research on Jews has thrown up some fascinating questions relating to Jewish history-suggesting a practice of Jewish men arriving in new places and marrying local women. Despite the fact that Jewish communities have little in common on the maternal line down which Judaism is traditionally inherited, it is the male side that shows common ancestry between different Jewish communities. Not exactly a traditional take on Jewish history. Finally, there is the simple issue of economics: at the group level, is this type of health investment the best thing? Should the state pay for genetic screening for a small population whose own cultural practice of acute endogamy puts itself at risk? After all, there are less than 3,000 Jewish births a year in the UK and probably no more than 800 within the Haredi (strictly Orthodox) community. With a disease incidence of 1:3000 for Tay-Sachs and lower for other diseases, is this an efficient use of resources? Perhaps the money might be better spent investing in the physical and mental health of the same group and even persuading them to consider the benefits of widening their gene pool? |
|
JPR
initiates internship programme
The programme, which was conducted between June and August, was advertised in advance through the Union of Jewish Students' electronic newsletter. Applicants were interviewed at JPR and the four successful interns were selected on the basis of their academic interests, analytical and writing abilities, as well as their IT and interpersonal skills. Each intern received a stipend of £1,000, including travel expenses. The costs of the intern programme were generously underwritten by a JPR donor.During the summer JPR staff conducted weekly luncheon seminars to introduce the interns to the range of JPR activities and research projects. Among the subjects covered were Jewish identity in the UK and Europe, Jewish culture in Europe, challenges in fundraising and philanthropy, and the work and philosophy of a Jewish think-tank. Student intern profiles Alex Patnick, 20, is reading history at Manchester Metropolitan University where he was recently elected as anti-racism officer of the Student Union. Alex was supervised by JPR Civil Society Fellow Dr Paul Iganski, and carried out work on the JPR website www.axt.org.uk (about antisemitism and xenophobia today) and in particular on the page about 'Music, Hate and Crime'. He also examined homophobic elements in the European-Jamaican reggae scene. Aviva Ellis, 20, is a politics student at the University of Birmingham. During her internship Aviva compiled a list of groups and organizations carrying out pro-Israel advocacy in the UK. When completed, the list will contain a brief description of the kind of activities these groups undertake-from informal, grass-roots letter-writing campaigns to the work carried out by official UK Jewish institutions-together with contact details and website links (where available). She was supervised by Dr Winston Pickett, who directs JPR's Israel programme. In the coming months JPR will assemble this information-together with a review of useful internet sites from the US, Israel and Europe-into an 'Israel advocacy handbook' which could be used by individuals and groups seeking to become more involved in the field. Daniel Herbert, 22, is studying European Social and Political Studies at University College, London. He carried out research for the 'New European Extremism' project under the guidance of Dr Paul Iganski and JPR director Professor Barry Kosmin. He was able to make use of his proficiency in French to assess the historical origins of and connections between antisemitism, anti-Zionism and anti-Americanism as they manifest themselves in contemporary French media, politics and public opinion. Rebecca Graham, 21, is a geography student at the University of Leeds and a former education officer at the Leeds Jewish Society. Under the supervision of JPR director of research Professor Stanley Waterman and demographer David Graham, she carried out research into the UK 2001 Census comparing the populations of Jews and Sikhs in London. She examined specific wards in which Jews, Hindus and Sikhs make up a large and significant proportion of the total UK population. She also sought to determine if the data allowed for a comparison of lifestyles, family structures and socio-economic status between the population groups. The summer internship programme was considered to be a great success by all concerned and it is hoped that new sponsors will come forward so that it can be repeated in future years. |
jpr / news is edited by Judith Russell